Sorry we kept you.. without a dope post to step to…

Lookout, K-Beta back, J-$crilla blogging, and bitcoin is booming.

Inner Loop back? The Inner Loop brand is a brand you’ve come to trust and respect, so we would like to offer you something for FREE for being a loyal Inner Loop friend and supporter. Subscribe to this blog (or email innerlooprandom@gmail.com) and we will send you an exclusive record that nobody has heard before that features K-Beta and 2 mysterious (well known) lyricists over a $crilla production. You can blog it, review it, play it for your friends or simply throw it in your playlist. It’s all up to you! You will be the only ones who have it.

Going forward, this blog is going to be more about our Inner Loop family’s releases, creations, achievements, successes, and also things we feel you should know about that maybe is off your radar. You will see guest writers, politricks, reviews, and much more content. So, add the bookmark, subscribe to the page and follow us on twitter! We will keep you posted.

Take a trip back to our releases, they are all still available at www.innerlooprecords.bandcamp.com, itunes and everywhere else that sells and streams music. You can also check out the archives on this blog to get your fair shake at DMV history going back to 2007!


[NEW MIXTAPE] “Gorilla Glue” by @ScrillaVentura #GorillaGlue

DJ J Scrilla
32 Min. Mash Up of Funk, Soul, Electro 45s Slowed & Throwed
Ft. Cam’Ron, Nas, Goodie Mob, R. Devaughn & more

NEW MIXTAPE: J-SCRILLA – Gorilla Glue https://soundcloud.com/scrilla-stash/gorilla-final

Gorilla Glue, the new mixtape from underground staple DJ J-Scrilla (presented by M&&B and Maniiifest), is a seamless blend of funk, soul, and electro played at a slowed down speed with scratching, mixing, and remixes sprinkled throughout. According to DJ J-Scrilla, “all the music on the project comes from 45″ vinyl records that are slowed to a 33 RPM speed, making them sound like they are moving through glue,” hence the title.  The title also has a double meaning, as it is also referencing a medicinal strain of marijuana called “Gorilla Glue” that’s recently developed a following within the cannibus culture.

Scrilla, is 1/3 of the production crew Inner Loop which recently released “Silk Road” on Maniiifest/Inner Loop and he’s released a string of successful tapes over the years including the Nas Remix tribute and Capitol Punishment and he has produced records with Roc Marciano, Sketch, Reef, K-Beta, XO, Oddisee, Born I, Mobb Deep, Cassidy and 100s more. If you like mash ups, megamixes, alternative hip hop music, remixes, screwed music or breaks, then hit play and let DJ J-Scrilla take you on a 32-minute journey through the quicksand.

Gorilla Glue artwork is also by DJ J-Scrilla and features music from the following artists:

Al Green, Soul Survivors, Otis & Carla, Lowell Fulsom, Maceo & The Macks, Shannon, Kraftwerk, Afrique, Arthur Baker, David Bowie, Rockwell, Jimmy “Bo” Horne, Al Hudson, Segments Of Time, The Five Stairsteps, The Jaggerz, Dennis Coffey, Pete Rock, AZ, Inspektah Deck, D’Angelo, The Invitations, Pat Lewis, Camron, Raekwon, Patrick Adams Initiative, Goodie Mob, Raheem DeVaughn


“Gametime” has been recently been getting love on a lotta major outlets. DJ Chris Styles broke this joint on the DMV’s WPGC 95.5 a few weeks back and then DJ Eclipse and DJ Skizz got busy on the juggles to open their famous worldwise HALFTIME SHOW and then  DJ MUGGS and SOUL ASSASSINS radio on #SHADE45…


Directed by Darren Harper

[Audio] Marq Spekt ft. Clever 1 “Pockets Dug” (Prod. by DJ J-$crilla)

Old buds Marq Spekt and J $crilla connect on this lazy rain induced banger and add vocals from the Cleverist 1. New “Grilchy Era” by Marq Spekt available soon thru Hipnott Records.

[Audio] Ezko ft. Nickelus F & OG Dutchmasta “Suicide Doors” (Prod by Casito DelFresco)

Off the the new Ezko “SleEP” comes the sure fire single produced by Inner Loop’s own Casito DelFresco! Pull up on em like…

[Audio] MacGuyver “Intermission” (Prod by DJ J-$crilla)

MacGuyver’s own words:

“In a time where people of color, especially African American men, are being targeted because they don’t appeal to “White America’s” standards, we’ve become more divided and unity is needed more than ever

MacGuyver is quite aware of that and his song INTERMISSION is proof of that. Serving as a triple threat from the DMV area: a rapper, a singer, and a songwriter and uses all of those threats on this song, which finds him doing his best to empower everyone during this horrible time. The song opens with news clips about Eric Garner, who was killed by police in New York City last year. When speaking with him about the song he stated:

“The title INTERMISSION is suppose to be a sub of a break from your everyday one lane style of music.”

He’s absolutely right. Taking the consciousness of Kendrick Lamar and Common, he manages to capture the 90’s essence of hip hop over the J Scrilla produced beat, which incorporates a live guitar by musician AJ Halpern.”

[ViDEO] Willie Waze “Beautiful Day” (Prod by Casito DelFresco)

Willie Waze hails from the Ray, aka the Del Ray section of Alexandria, Virginia. This is the first track leaked off the forthcoming LumiNation Vol.1 mixtape and also will be featured on his upcoming LOANS album, out this summer. Shot by my man Jeff. Produced by Inner Loop’s Casito DelFresco.

Follow @casitodelfresco and @dayunginwaze on twitter for all yer hip-hop and rap anticdotes.

[NEW MUSIC] Sir E.U. “Open Yer Mouth” Produced by DJ J-$crilla


Sir E.U.
Open Yer Mouth
MUSIC: Sir E.U. – Open Yer Mouth https://soundcloud.com/scrilla-stash/sir-eu-open-yer-mouth-produced-by-dj-j-scrilla

Sir E.U. of the DMV collective Kool Klux Klan takes you on a visceral journey over a DJ J-$crilla produced backdrop in which he compares himself to “Oprah Winfrey on a waterski.” This is the second in a series of Sir E.U. and $crilla collabs that may or maynot continue to pop up this year.


Previous: DJ J-$crilla ft Ras Nebyu, Uno Hype & Sir E.U. – “Unfamiliar Shirts” – https://soundcloud.com/bombay-knox/dj-j-crilla-unfamiliar-shirts-feat-ras-nebyu-uno-hype-sir-eu

Inner Loop’s @scrillaventura #MadeInTheDMV Conference ReCap


#MadeInTheDMV Conference

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This past Saturday I was invited to speak and/or moderate a panel at the #MadeInTheDMV music conference. First of all, shout out to @Melisakim and her #WillRap4Food organization for booking me. I’ve seen Angela Byrd’s conferences grow as the years have gone on and I remember when Byrd was coming to Inner Loop’s events and meeting a lot of the scene before she turned her own vision into a reality.  So salute to Byrd aka @iGotit4Free for following her dreams and a BIG SALUTE for a well put together conference. The conference was, I believe, made possible by a third young lady named Natasha Brown, owner of the PR firm ThinkBrownINK, whom I’ve also had the pleasure of knowing for quite some time, too.

So three women brainstormed, opened their respective black books and meticulously reached out to everyone they knew from the area to come thru and drop knowledge on the music industry. Not all were DMV born and raised, though, Rob Markman, from MTV’s Rap Fix and Sway In The Morning (and many, many other outlets) was the thunderbolt that first got this panel popping and talked about. When Byrd announced that Mr. Markman would be speaking at the event it seemed like a domino effect of personalities eagerly signed on.  There were some snags along the way as there are with any big event. The “Crabs in the Barrel” mindset that has seemingly plagued the scene since I can recall was partially stirred up, as some sounded off and took some shots for not being included and/or the event not catering to certain people from the area.  I saw a @MadInTheDMV page was created on twitter, and since removed, which was actually slightly comical. Though, I will say that I didn’t see the usual malarky that came with such a big event (although, I have been slightly removed from the social scene that I was entrenched in up until a couple years ago.)

Lets digress a moment, shall we…

I was intrigued from the get-go to get my weight up at this event because I have been teetering on the edge of insanity lately as I’ve watched my latest project, “Silk Road” go nearly double wood on the blogs. Now, when I say the release flopped I am speaking from the perch of my penthouse suite blog apartment that I was obviously unknowingly cast from where the squad and I came to expect a certain amount of organic support over the years.  In this apartment we used to release music and it always ended up on hundreds of sites ranging from 2dopeboyz to nahright to djbooth and way beyond (what up bangbros.com.)  My squad and I had a good view from this apartment and we were able to invite others in this place and help them release music and it even had a turn up room with a stocked bar and some groupies.  Well, I quickly realized that a new landlord had occupied the building and I was told to GET THEE FUCK OUT.  Inner Loop was no longer welcomed to the well of the internet’s premiere publications.  Well, I picked up my things and I quietly moved out to the bottom floor and consulted with my industry friends to help me find a new home in the blogoshere for a beat album about the darkweb aka “Silk Road.”

Now, on to my point. I came to the event to reintroduce myself in some ways.

I am DJ J-Scrilla.  J-Scrilla.  1/2 of Guns N Butter.  Scrilla Ventura. NOT DJ SCRILLA. I am the guy who has a similar DJ name to a great deceased legend. (Side note : I’ve amateurishly, professionally and unprofessionally used this alias since 2003 and in no way shape or form was my name bitten from a legend. Thanks for your time.)

I came into this game as a mixtape DJ under the alias DJ Hi-C, I rocked most of the venues in VA/DC plus many in the country and some more internationally. I threw the first ever “live beat battle” called “Battle Of The Box” in 2001.  I’ve produced and deejayed for legends and got my foot in the game thanks in part to guys like Team Demo, Agallah, William Cooper, Bloodsport and Tragedy Khadafi.  I had partners in this game that I’ve split with due to us not agreeing ethically or morally.  I’ve actually fought people that argued with me that our area had no talent and that I was “a stupid motherfucker for messing with “local” artists when I could have been shopping my beats and taking my talents elsewhere.”  I literally, ruined relationships over this. I’ve been putting local artists on mixtapes since 1998 and I started putting them on distributed albums in 2002 (“Pressure Points”.)  My label, Inner Loop, started in 2006 (with K-Beta and Overok) and we quickly wedged our way to the top of our local scene by the time 2008 had rolled around as we were throwing major events, putting out scores of music and signing producers and artists to legit contracts. We were deemed the People’s Label of the DMV scene for not shorting the artist and fans with microwaved music and well put together and organized events (what up Overok.)  Even the acclaimed local, hip-hop and music writer Marcus Moore, humbly, called Inner Loop the “Stones Throw” of the DMV in 2010.

I say that to say this…

I am older now (dirty thirties) and post-Inner Loop Records and I came to the event with open arms and an open ear.  Not only because I wanted to reconnect with the new movers and shakers in the blog and DJ world, but because I am taking on a new role as an artist manager and I wanted to learn more about my job and plug in with the folks who can help me take my group, Dark Wave, to manifest their dreams.  I recently started a new company with Meliiisa Kim, very iiintentiiionally called Maniiifest and we, as a company, have been slowly building to really unload on the music world in 2015.  So, I came to the event not only as a moderator on the DEAL OR NO DEAL panel but also because as many of the attendees came… I wanted resources. I wanted to meet people. I wanted to find admin people, promoters, editors, producers, bloggers, entertainment lawyers, etc.

The DMV has always lacked an industry. We have to go outside the area to get our connects to the music world. The DMV has never been a cohesive industry but rather a convenient label so outsiders could easily identify us and so that our area musicians (many whom spend the better parts of their day working government jobs in DC, living in Maryland and messing with the beautiful women in Virginia,) who tend to move around within the area a lot, could just have an acronym for the region. This region was initially Southern Maryland, DC and Northern Virginia. It’s since expanded even further depending on who you talk to (which is an editorial for another day.) Generally speaking of course, people in DC hate the term, while people in Va. and Md. generally like the term because if you tell an outsider you are from Montgomery County or Woodbridge then you will have to explain that you actually reside in one place but travel five to 30 minutes to go “handle” your music somewhere else – The District Of Columbia.  The outsider may say, “Why don’t you just say you are from DC then?” Maybe somebody from DC can elaborate more on that in the comments but basically, the old DC was nothing like Va or even Md.  DC was an inner city filled with mostly African-American folks who did not like Virginia, mostly due to the police force and although Maryland had the cool side of the family tree, because their cousin got off the streets and went to school in Maryland to possibly get a better or safer education in a mixed race school system they couldn’t claim DC like the ones who never left.  Since the DMV has emerged, housing has doubled and wealthy folks, whites, gays, preppies, hipsters and the all the other gentrification particles have shot across the border.  Much has changed since the term began being applied to the area and I don’t know that it’s quite as shunned by today’s up and comers but you can look at the hate Wale got (who, allegedly, spent time in Maryland) for claiming DC status back in the day as proof.

When I was told by Melisa what the whole event was about, I initially told her that I did not envy her for her graciousness on this one.  Dealing with all of the egos and personalities to make an event like this happen is no easy task.  But, the task was well done. Kudos.  It was cool to see most of the players show up.  There were some notable people missing from the conference that were supposed to be there but overall the people sharing were very profound and knowledgable.  Kudos to Quinelle Holder of Hiphopsince1987.com who spoke very exact on the blog’s infamous deep, dark  “pay to post” game and actually made some quality points in favor of it  (though his site is not an official “pay to play” blog.) I will note I have been against paying for a site or magazine appearance.  You pay your publicist to make things happen and the publications should eventually be beating down your door as you grow.  If your publicist cannot get you publicity then you need to find a new one.  I basically feel that when blogs accept money for submissions, ultimately, they are sacrificing their brand to put an artist up that wouldn’t normally be on the site.  With that said, sure if an artist is waving money around and it’s not a big reach to post, but if you are putting up Janky Squirrel and the Bando Brains for $25 your brand risks being watered down.  Blogs should be making money off of ad revenue, clicks and opportunities stemming from their influence.  With that said, I am not a content blogger who needs to keep their lights on and I cannot argue about how you get your bread.  If these people pay you then there is obviously some market out there to capitalize on.  The main problem I have with sites charging is that if they fly a false flag and act like they are but they ain’t.  We can dive into that topic another day though.

So, bringing the local players here to the R.I.S.E. Center and building on how to eventually compete with Atlanta, New York, LA, San Fran, Houston, Chicago, Philly, etc. is a great thing. There was so much good advice and people were eager to share their experiences and knowledge.  I used to be very anti-industry.  I was only pro-Art and wanted to always sock it to the man.  As I’ve gotten older and hopefully wiser I have realized that to succeed as an artist, producer, manager, label owner, blogger, writer, photographer and whatever else then you need to embrace “industry,” because at the most basic level a well-oiled industry is a meat packing plant for dollar bills.  I like to rub my dollar bills on my art these days.  I can live like an artist no problem on a beach somewhere when I’m bald and fat but not in the DMV where everyday the developers price someone into moving to the far reaching suburbs.

So to sum up the event quickly (sorry not sorry for the tangents,) there were a ton of wide-eyed artists taking notes and asking questions and really there to learn and be educated.  Folks had business cards, stickers, and other promo.  I would think the next event will have more actual vendors as I only saw a handful and I’m thinking some folks missed out on some sales and market reach opportunities.  The main room had good sound but the second room didn’t have a sound system hooked up so it was a bit harder to hear everything during some of the quieter moments of those panels.  I’d like to see more workshop classes too kinda like when Inner Loop did the Chop It Up 3 Producer Conference in 2007.  I could see businesses like the Beat Refinery DJ School really benefiting from that platform.  All in all it seemed like a smooth event.

With that said…

A few days ago, I had to check myself.  I thought about using today to rant on how Inner Loop was booked to do the beat showcase with my brothers Casito and Grussle (we are Inner Loop Beats collectively) and have my artists Dark Wave and some more we produce for on stage with me at the #MadeInTheDMV show. We were sent an email saying that we were booked for 15 minutes and we had this time slot and we could do our thing.  We started to prepare and some people called off of work and blah blah blah.  I got a blindsided DM that said there’d been some unexpected changes and  I got mad.  I, admittedly, sometimes need to not take things so personally.  What good would it have done to shake the limb of a strong tree we, as a city, have all built?  Nothing.  It was Byrd’s vision.  WillRap4Food’s vision.  Not mine.  Not yours.  Things happen in the 11th hour all the time.  So I fell back and used the platform for what it was intended to be and really enjoyed it.   I met people, I was educated and I have vowed to stay positive in what can sometimes be a dark industry that has many peaks and valleys.  Not everyone is going to mess with your shit.  Sometimes in this industry plans change at a moment’s notice.  I know this.

Now, back to what I learned about our last record push.  While talking with people AT THE EVENT about “Silk Road”, I learned that the lack of big blog presence was due to it not being a bad project (many loved it), but because it’s different and it is very left of center topically. I learned actually, at the event, that many of these blogs we want exposure on are backed by corporations and to have a project like “Silk Road” in the mix could have been frowned on and some just couldn’t take the time to really grasp the meaning and all of the intricacies or figure out how to incorporate it in their stream of news that would make sense.  Also, they need those clicks to make their editors happy or they lose their job thanks to them promoting an unheard of album that brought only a handful of clicks to their site.  Lesson learned.  That’s what you get for doing an album that’s unprecedented though I suppose.  (Sips tea and takes a selfie.)  At the same time I am climbing this mountain back up to help a new generation of artists, a Virginia rap duo named Dark Wave in particular, Maniiifest more pet projects with my musical friends and a new perspective on things.

Inshallah. DMV going up.

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Richmond, VA artists DARK WAVE dropped their debut project to the world last week called “Dark Elegance” via www.hotnewhiphop.com, djbooth.net, AshleyOutrageous.com and livemixtapes.com just to name a few. The album is also available on itunes and we hope the bonus cut “Tell The Truth” will have you supporting with the greenbacks. STREAM BELOW and FOLLOW ON SOUNDCLOUD




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